Andrew Stiller’s “The Water is Wide, Daisy Bell”, written for his sister’s wedding in 1987, starts with a halting attempt to remember the tune of “Water is Wide”, which finally appears in full, and is transformed through various keys, including a bitonal variation (two different keys simultaneously). This abruptly ends with an impatient thundering crash, and then picks up with a lead-in to “Daisy Bell” (“Bicycle Built for Two”). The tune climbs up from the bottom of the piano to the top, and then descends to the bottom again, at which point the couple apparently breaks up (temporarily). There is an interminable section of random sighing minor chords, which I tend to abbreviate (I am sympathetic, but not that sympathetic). And then the relationship thaws and comes back to life, combining the tunes in a glorious conclusion.